Fused with 40 sophisticated algorithms, it’s easy to see why COBALT5S empowers creators with liberated sound sculpting capability without limitation. In this Modal Minute, we explain the complexity of these unique sound sources that allow sculpting classic as well as next-generation synth sounds.
More Information about COBALT5S: https://www.modalelectronics.com/cobalt5s/
Introducing HHX Anthology: a collaboration between the Master Artisans at SABIAN and world-renowned musician Jojo Mayer. Three years in the making, these were created to be the most versatile cymbals SABIAN has ever made. The final product transcends labels like ride and crash—each version possesses all of those qualities and more. Visit http://sabian.com/anthology/ to learn more about the new HHX Anthology Collection #PlayYourWay #HHXAnthology
So you just bought a Telecaster and you want to swap your pickups? You’re in the right place. In this new series we’ll show you how to swap, replace, upgrade your Telecaster pickups. First we’ll show you all the tools and supplies you’ll need to get the job done.
Line 6 Product Specialist Nick Bell demonstrates a Placater Dirty and Rivet Clean tone from Metallurgy: Thrash.
Watch Nick’s other Metallurgy Sound Sample video:
Metallurgy: Thrash | Cali IV Sound Sample: https://youtu.be/LoV3gPTtZpk
The MetallurgyTM Collection of amplifier and effects plugins was created specifically for guitarists who wish to quickly access contemporary versions of classic and modern metal tones—as well as craft original tones. It bundles the Modern, Thrash, and Doom plugins, which are also available individually. In addition to being used as VST3, AU, or AAX plugins within any DAW, the plugins also function as standalone applications, making the Metallurgy Collection one of the most versatile tone-creation tools available.
Tonight on Fender Play Live! We’re diving into our favorite Green Day riffs for guitar and bass that you can learn on Fender Play! Tune in as we break down everything from Billie Joe Armstrong’s signature tone to Mike Dirnt’s melodic playing and everything in between. We’ll show you the techniques you need to know to get playing these riffs immediately and sound like the iconic punk rockers themselves. Plus – tune in to find out how you can win some free gear!
#Fender #FenderPlay #GreenDay
After the show, check out detailed lessons on everything heard in the episode on Fender Play!
Click Here to Start Your Free Trial Now: http://bit.ly/2VmMoDM
Fender Play Giveaway Details: http://bit.ly/2E5QxTh
Fender Play Live YouTube Playlist: https://bit.ly/3JKDCFV
Check out our lesson on Green Day’s ‘Brain Stew’: https://bit.ly/3teI5KO
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Download Fender Tune. Available for iOS and Android here: https://app.adjust.com/hkylz8k
About Fender:
Fender Musical Instruments Corporation is the world’s foremost manufacturer of guitars, basses, amplifiers and related equipment. With an illustrious history dating back to 1946, Fender has touched and transformed music worldwide and in nearly every genre: rock ‘n’ roll, country and western, jazz, rhythm and blues, and many others.
Connect with Fender:
Visit FENDER WEBSITE: https://www.fender.com
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Top 5 Green Day Riffs | Fender Play LIVE | Fender
https://www.youtube.com/fender
In this video, Eventide’s Brett Isler demonstrates five ways that you can use the H9000 with a @Universal Audio Apollo or similar audio interface. This tutorial reviews several use cases for the Eventide H9000, including using the H9000 as an aggregate device for Mac, ADAT expansion, processing and mixing through Apollo Console, and saving your settings as a Session.
For more on the H9000, visit: https://etide.io/H9000
For a more in-depth look at the H9000’s I/O possibilities, go to https://etide.io/H9000IO.
00:00 – Intro
1:25 – Using the H9000 as part of an Aggregate Device
2:17 – Using the H9000 as an ADAT expander
3:42 – ADAT expansion for tracking without H9000 processing
4:31 – ADAT expansion for tracking with H9000 processing
6:11 – ADAT I/O for processing Apollo inputs
9:20 – Apollo for Tracking, H9000 for Producing, Processing and Mixing
11:35 – Saving a Session
Subscribe to the Eventide channel for more demo videos and tips https://www.youtube.com/EventideAudio
We are proud to introduce our all-new Ernie Ball Braided and Classic Microphone Cable Collection! Now in multiple lengths, these cables feature high-quality designs made with superior components that are built to last. Dual conductors deliver a reliably clear signal and a natural frequency response. Multiple shielding materials preserve the signal with low handling noise. The durable PVC jacket exterior ensures long-lasting performance, and the additional braided jacket exterior provides a variety of aesthetic choices as well as a more tangle-resistant experience.
At EarthQuaker Devices, we prefer to look forward when it comes to our pedals. But sometimes, we have to take a moment to acknowledge how much our past has enriched our present. This Afterneath Retrospective film is a labor of love that we offer to all pedalheads perusing the YouTubeverse, especially our loyal EQD fans.
The Afterneath is EQD’s "Enhanced Otherworldly Reverberator," which is a fancy way of saying it’s a really cool, weird, and unique reverb pedal! When it was released in 2014, thousands of reverb variants were already present on the pedal market. But as you will hear from the many artists, producers, and musicians in this retrospective, none of those quality pedals have been able to give creative folks what the Afterneath offers.
Learn about the "happy accident" EQD lead designer Jamie Stillman discovered while messing around with some code that started out labeled as simply "Big Reverb" before eventually being expanded and refined into our beloved Afterneath.
Hear reminiscences from longtime EQD employees about how the popularity of the Afterneath helped raise EarthQuaker’s profile and burnish our reputation for creating unique pedals in the industry and among players.
Meet EQD artist Matt Horak (whose talents we share with Marvel Comics and other publications), the man behind the iconic wizard and cave graphic that serves as a perfect visual encapsulation of the sonic qualities of the Afterneath.
And, with the latest V3, featuring the mode knob and a CV/expression pedal jack, there are even more sonic possibilities for folks to explore. You can dive directly into some cavernous reverberating chaos or make a relaxing sonic bed of gently undulating waves of notes, chords and sounds or any and all points in between.
We’ve also gathered an array of artists, producers, and sound sculptors, including Nels Cline, Arianna Powell, Robin Finck, Yvette Young of Covet, The Pedal Zone’s Stefan Fast, producers Dave Pensado and Joe Barresi, adventurous harpist Lara Somogyi and others to talk about their love of the Afterneath pedal and its Eurorack counterpart and demonstrate how it gets their creative juices flowing.
Oh, and we also got a real Wizard!
Though we’re a humble cluster of hardworking sentient bipeds at EQDHQ, we are pretty darn proud of this mysterious and versatile little reverb box. The Afterneath has been embraced by musicians and creatives of all genres and players of all instruments. Throughout its eight years and two upgrades, the Afterneath is still sending music makers down new musical paths for exploration, and that is as inspiring to us as the Afterneath has been to others.
As our good buddy Robin Finck, longtime guitarist for Nine Inch Nails, succinctly said.
"EarthQuaker Devices and reverb..what could be bad about that? Add to that your best cave of forgotten dreams graphic, and we all win."
0:02:40 – Chapter One: The Happy Accident
0:10:38 – Chapter Two: Growing Pains
0:22:40 – Chapter Three: Just a Wizard in a Cave
0:40:40 – Chapter Four: Studio Wizardry
0:49:58 – Chapter Five: The Most Magical Time of Year
0:54:55 – Chapter Six: Same Wizard, New Tricks
1:00:21 – Chapter Seven: The Wizards of Synth
1:06:41 – Chapter Eight: The Adventure Into Modular Synth
1:17:18 – Epilogue
1:18:04 – Credits
Directed by Chris Tran
Edited by Chris Tran
Shot by Chris Tran, Vice Cooler, Jeffrey France, David Whited, Dannesh Moosa, Dalton Blanco, Adonay Rivera Gallardo
Audio Engineers Jeff France, Scott Cornish
Visit our site: http://www.earthquakerdevices.com
Follow us on Instagram: http://www.instagram.com/earthquakerdev
Like us on Facebook: http://www.facebook.com/EarthQuakerDevices
Follow us on Twitter: http://twitter.com/EarthQuakerDev
Our good friend Hank Smith returns to Deering Live this week, where we will discuss composing non-bluegrass music on 5 string banjo and tonality.
Hank is a Deering artist and plays a Deering Maple Blossom. He also puts the "Hank" into ‘Hank, Patty & the Current’, who are one of our favorite bands!
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