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The Helix 3.5 update gave Paul Hindmarsh an excuse to revisit his previous Helix web sound samples and re-amp them using the latest cabs and reverbs.
The latest HX cabinets come with a choice of 12 different microphones that can have their angle, position and distance changed.
In this video we take a fresh listen to:
BASS:Sunny Dark
The Obsidian 7000 (based on* Darkglass® Electronics Microtubes® B7K) runs into the front end of the Del Sol 300 (based on* Sunn® Coliseum 300 bass amp). 1×15 and 8×10 AMPEG cabs complete the sound.
https://line6.com/customtone/tone/5945284/
BASS:Woody 360
Woody Blue (based on* Acoustic® 360 bass amp) with both a 1×15 AMPEG B-15 cabinet and a 4×10 Garden cabinet. An LA Studio Comp controls some levels and an old 70s Chorus (based on* Boss® CE-1) adds some extra tones.
https://line6.com/customtone/tone/5945283/
BASS:Flip Filter
The classic Ampeg® B-15NF Portaflex®) given some kick with the addition of an Ampeg SVT 8×10 bass cabinet . A Clawthorn Drive (based on* Wounded Paw Battering Ram Bass overdrive) pedal occasionally runs in parallel with Line 6’s own Autofilter.
https://line6.com/customtone/tone/5945282/
Discover Helix: https://line6.com/helix/
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