Engineered for speed, comfort and full-throttle attitude, the reimagined 5150® Series Standard and Deluxe guitars are an iconic blast from the past that blend both throwback and modernized features.
For 2021, these models have been refreshed with an all-new kill switch, as well as new finish, poplar burl top and both maple and ebony fingerboard options.
Get an up close look at these models with this video performance by Frankie Lindia.
Get full product specs here:
https://evhgear.com/gear/series/guitars/5150
Let’s just reach into the cooler and… Sylvia is back at it, putting everyday items through the tests of tone! Everyday items being Park Fuzz Sound and Afterneath of course! You use these pedals every-dang-day, right? For those of you not in “the know”, Germanium transistors are sensitive to temperature and can yield varying tonal results depending on whether they are hot or cold. She knows this all too well and has decided to run a demonstration with a single Roland key tone into a Park Fuzz on ice, at room temperature, and also heated with a Conair. Afterneath is here simply for moral support and to remind you to get weird. Lest we forget to have FUN when we record! This exciting adventure in sound capture has been brought to you by your friend Sylvia Massy, who else!?
Explore all things Sylvia Massy at www.sylviamassy.com
Shot + Edited by Vice Cooler
DP: Dalton Blanco
Audio: Henri Cash
Intro Credits by Chris Tran
Studio Go Boom theme by Sylvia Massy
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Video by Cort Guitars and Basses via YouTube Source
⭐ Gold-OC8 Nylon
The Gold-OC8 Nylon is the very first GOLD series Classical guitar with top-tier woods, materials, technology, and craftsmanship. Cort’s modern take on the oldest form of guitar, the GOLD-OC8 Nylon is built with Solid Engelmann Spruce (first to be used on Gold Series) for rich and full midrange, and is equipped with top of the line Fishman Flex Blend system.
– For more details: https://vo.la/HyVrI
– Played by @Fingerstylish 뚱치땅치
The Audix A127 Omnidirectional Metal Film Condenser Microphone is the culmination of years of research and development in condenser technology and is designed to capture acoustic instruments with transparency, accuracy and purity.
Utilizing a reference-grade, half-inch Type 1 metal film capsule, the omnidirectional A127 delivers unmatched audio capture for professional studio recording, broadcast, film and sound design.
With a frequency response of 10Hz-20kHz, a wide dynamic range of 133dB and an ultra-low self-noise of 7dBA, the A127 excels in the most demanding applications. Capsule design features a precision-tuned, 3-micron metal diaphragm for exceptionally detailed and reliable performance.
The A127 circuit is designed and built to exacting specifications and is coupled to the capsule by a series of driven shields to protect the microphone from external interference and capacitance coupling.
The mechanical components of the gold-plated shield and the corrosion-resistant housing are precision-machined by Audix in Wilsonville, Oregon.
Tutorial video to install the Focal Inside ISUB MBZ kit in GLC Serie cars from Mercedes-Benz.
Select your car to choose the compatible kits and systems: https://www.focal-inside.com/mercedes/en/
Our One Thing series takes you into the workspaces of musicians, producers and other artists to discover a method they rely on to keep their creative flame alight.
Keep up with Ricky Tinez on Instagram:
https://www.instagram.com/ricky_tinez/
Watch more One Thing videos:
https://www.ableton.com/one-thing/
“Elixir Strings are the hardest working strings on the planet. I’ve never broken them. I couldn’t play my show with any other string, they’ve never let me down. It’s as simple as that.” – Lloyd Spiegel
Check out Elixir Strings: https://www.elixirstrings.com/products
For more performances and lessons, subscribe today. https://www.youtube.com/channel/UC5zJweclOaIvjNq3z4DrJEQ
Stay current with Lloyd
https://www.facebook.com/lloydspiegelmusic
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https://www.youtube.com/user/lloydspiegelmusic
Akron Symphony Orchestra’s Brian Del Bianco pushes it all past the edge of resonance with a trio of classic EarthQuaker sleeping monsters. Some of you use Night Wire for its unique attack driven vibe and Spatial Delivery’s filtering options to keep things ultra-auto-wah-funky, but have you ever injected your double bass into a dimly lit solo jam with of some of our most “out there” pedals, including delay workstation Disaster Transport SR? This is a great way to make classics, classics all your own. Get weird, experiment, and please HAVE FUN!
Listen to Brian’s interview with Director of Marketing Thomas Moore from Akron Symphony Orchestra on their Symphosium Podcast to learn more about his experience filming this demo! Links below!
A guitar on Christmas morning was the launching pad for what would end up becoming a lifelong obsession for Brian. He began lessons in the 6th grade, fueled by all the typical daydreams of forming a band with friends and playing in front of audiences. The reality of not being able to find a bassist for a band led him to enroll in his high school’s beginning orchestra in 10th grade to learn the double bass, having had absolutely no idea that it would have been quite easy to just get an electric bass and transition to that from guitar. Later that year, a recommendation from his school orchestra director landed Brian in the Pittsburgh Public Schools’ all-city honors concert band, and started a string of opportunities that solidified his love of performing and an obsession for the bass.
While enrolled in the Duquesne University School of Music’s Sound Recording Technology program, Brian studied classical bass under Jeff Mangone and began to freelance on upright and electric basses in whatever genre and setting that he could find. He completed a master’s degree in double bass performance at Michigan State University, and was soon performing all over Michigan as well as in Akron, Canton and Wheeling, W.Va., and has been incredibly fortunate to have performed throughout Europe and in the Cayman Islands.
Brian has performed in world famous concert halls with full orchestras, in regional theater orchestra pits with rock bands, at a Ford dealership with a Doo-wop group, opera under-the-stars in Rome, chamber music, ballet, salsa, big band, the occasional bluegrass jam session, as well as playing contrabass balalaika in the St. Nicholas Orthodox Church balalaika orchestra. He has shared the stage with guest artists from Doc Severinsen to LeAnn Rimes, and played electric bass for Jim Brickman’s appearance with the Canton Symphony Orchestra. He is looking forward to pursuing more non-classical collaborations and finding new ways to incorporate effect pedals into existing classical repertoire for the bass.
Besides playing music, Brian has a bit of an obsession with gardening, with a particular emphasis on growing carnivorous plants and weapons-grade chili peppers. He was an active volunteer as a member of a therapy dog team with his late dog, Ellie, and hopes to continue that role in the near future. He has recently rekindled his love of photography and he always looks forward to an opportunity to fire up the smoker for some slow-smoked BBQ. Along with continuing to explore new musical adventures, he has hopes of returning to the Doctor of Audiology degree that is currently on hold, as well as making a dent in his stack of books that are waiting to be read.
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